Strangers on a Train (1951) (SPOILERS) Watching a run of lesser Hitchcock films is apt to mislead one into thinking he was merely a highly competent, supremely professional stylist. It takes a picture where, to use a not inappropriate gourmand analogy, his juices were really flowing to remind oneself just how peerless he was when inspired. Strangers on a Train is one of his very, very best works, one he may have a few issues with but really deserves nary a word said against it, even in “compromised” form.
Doctor Who Attack of the Cybermen (SPOILERS) For some, Attack of the Cybermen is a low point of 80s Doctor Who , the moment when continuity finally ate itself and heaved up a glob of indigestible Levinised cyberbile. It’s an entirely reasonable position. As About Time acidly pointed out, it’s a sequel to just about anything you can think of and then some. It also represents Eric Saward – whose influence on the show I don’t, in contrast to the consensus, see as entirely negative – at his most brazenly nihilistic, almost to the point of self-parody. Even with that, there are a lot of things l like in Attack . Unfortunately, they’re almost all in the first episode.