Are you gonna probe us?

Paul

(2011)

Amusing enough, but without the visual flair of Edgar Wright to energise Pegg and Frost this too often comes across as self-indulgent and at other times just plain lame (the liberal sprinkling of dialogue lifted from genre favourites is a good example; occasionally it works, but no matter the talent of the performer, nothing can save the painfully naff inclusions of "Get away from her you bitch!” or "Boring conversation anyway").

The likes of Sigourney Weaver, Jason Bateman, Bill Hader and Kristen Wiig lend solid support and even the supremely talentless Seth Rogen is less annoying than usual by virtue of being present in voice-only (as the titular character). This is very much Pegg & Frost by numbers; what's the laziest genre to write for? A road movie. Check. What's the laziest way to attract a geek audience? Riff on your favourite sci-fi movies and cram your movie full of genre references. Check. Sprinkle on top lazy playing to the cheap seats with the abundance of cock/fart/anal penetration/bromance jokes and you have a fast food recipe for mediocrity.

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How would Horatio Alger have handled this situation?

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No matter how innocent you are, or how hard you try, they’ll find you guilty.

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To survive a war, you gotta become war.

Rambo: First Blood Part II (1985) (SPOILERS?) I’d like to say it’s mystifying that a film so bereft of merit as Rambo: First Blood Part II could have finished up the second biggest hit of 1985. It wouldn’t be as bad if it was, at minimum, a solid action movie, rather than an interminable bore. But the movie struck a chord somewhere, somehow. As much as the most successful picture of that year, Back to the Future , could be seen to suggest moviegoers do actually have really good taste, Rambo rather sends a message about how extensively regressive themes were embedding themselves in Reaganite, conservative ‘80s cinema (to be fair, this is something one can also read into Back to the Future ), be those ones of ill-conceived nostalgia or simple-minded jingoism, notional superiority and might. The difference between Stallone and Arnie movies starts right here; self-awareness. Audiences may have watched R ambo in the same way they would a Schwarzenegger picture, but I’m

What do they do, sing madrigals?

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Now In Full Color, with a Happier Ending

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