That medal ribbon. I don't seem to recognise it. What is it?

The Spy in Black

(1939)

Superb WWI spy yarn that marked the first collaboration between Powell and Pressburger. A German submarine is sent to the Orkneys in 1917, the captain (Conrad Veidt) ordered to go ashore and make contact with a German spy posing as a school teacher (Valerie Hobson). Their objective is to pass on secrets in order to successfully attack the British fleet at Scapa Flow.

The result is a compact little film, tightly scripted by Pressburger, with a number of significant twists and turns along the way. As with their later collaborations, the Germans are fleshed-out individuals, not despicable huns, and the depiction of island life is as atmospheric and compelling as the Powell had made it before (Edge of the World) and would make it again (I Know Where I’m Going).

Also featuring are frequent Powell collaborator Marius Goring and the future Anakin Skywalker, Sebastian Shaw (curiously, Return of the Jedi director Richard Marquand also made a film about a German spy hiding out on a remote British island – Eye of the Needle).

****

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In the Mouth of Madness (1994)
(SPOILERS) The concluding chapter of John Carpenter’s unofficial Apocalypse Trilogy (preceded by The Thing and Prince of Darkness) is also, sadly, his last great movie. Indeed, it stands apart in the qualitative wilderness that beset him during the ‘90s (not for want of output). Michael De Luca’s screenplay had been doing the rounds since the ‘80s, even turned down by Carpenter at one point, and it proves ideal fodder for the director, bringing out the best in him. Even cinematographer Gary K Kibbe seems inspired enough to rise to the occasion. It could do without the chugging rawk soundtrack, perhaps, but then, that was increasingly where Carpenter’s interests resided (as opposed to making decent movies).

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Now In Full Color, with a Happier Ending

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