It's the same train, but it's different.

Source Code

(2011)

The first hour is verging on a *****; tense, thrilling and disorientating. However, after the premise becomes fully clear it is all too speedily wrapped up.

In contrast to some reviewers, I do like the tone of the ending (perhaps because I was expecting it to run a different, inevitable course).

Stylish direction from Duncan Jones; you can see him aping Hitchcock by way of De Palma (I kept thinking this would be ideal De Palma material). The effects are clearly on a budget, but Chris Bacon's score effectively maxs-up the sense of a Hitch-homage.

***1/2

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We live in a twilight world.

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Now In Full Color, with a Happier Ending

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