What you imagined might be better than the real thing.

Ask the Dust

(2006)

Robert Towne’s career as a director has been brief and mostly underwhelming (his first, Personal Best, living up to its title). His fourth feature is a self-indulgent tale of a struggling Depression-era writer (Colin Farrell) and his rocky relationship with a Mexican waitress (Salma Hayek), adapted from a novel by John Fante.

There’s nothing especially bad here; it’s handsomely photographed by Caleb Deschanel, Farrell and (particularly) Hayek give strong performances and the voice over is mindfully layered over the material (both Farrell’s and in the letters to him from H L Mencken, played by Richard Shickel). But the plot itself is slight, and stories of vainglorious writers trying to make it have been oft told and more engagingly so (whether dramatically or humourously).

**1/2

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Damn prairie dog burrow!

Tremors (1990) (SPOILERS) I suspect the reason the horror comedy – or the sci-fi comedy, come to that – doesn’t tend to be the slam-dunk goldmine many assume it must be, is because it takes a certain sensibility to do it right. Everyone isn’t a Joe Dante or Sam Raimi, or a John Landis, John Carpenter, Edgar Wright, Christopher Landon or even a Peter Jackson or Tim Burton, and the genre is littered with financial failures, some of them very good failures (and a good number of them from the names mentioned). Tremors was one, only proving a hit on video (hence six sequels at last count). It also failed to make Ron Underwood a directing legend.

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I hate natural causes!

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Hey, my friend smells amazing!

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Why don't we go on a picnic, up the hill?

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Who’s got the Figgy Port?

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Now In Full Color, with a Happier Ending

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