You have a dangling dipthong.

Oscar

(1991)

I had written this off as a "Stallone does comedy" turkey, so imagine my surprise when I discovered that it is consistently very funny.

John Landis is at his most deft handling the script's sprightly farce, and Stallone shows fine comic timing in the lead. The laurels go to Peter Reigert, Tim Curry, Marisa Tomei and Chazz Palminteri ("You have a dangling dipthong"), though. Only Vincent Spano fails to bring much to his role.

****

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We live in a twilight world.

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(SPOILERS) I’ve endured a fair few confusingly-executed action sequences in movies – more than enough, actually – but I don’t think I’ve previously had the odd experience of being on the edge of my seat during one while simultaneously failing to understand its objectives and how those objectives are being attempted. Which happened a few times during Tenet. If I stroll over to the Wiki page and read the plot synopsis, it is fairly explicable (fairly) but as a first dive into this Christopher Nolan film, I frequently found it, if not impenetrable, then most definitely opaque.

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Marriage Story (2019)
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Juno and the Paycock (1930)
(SPOILERS) Hitchcock’s second sound feature. Such was the lustre of this technological advance that a wordy play was picked. By Sean O’Casey, upon whom Hitchcock based the prophet of doom at the end of The Birds. Juno and the Paycock, set in 1922 during the Irish Civil War, begins as a broad comedy of domestic manners, but by the end has descended into full-blown Greek (or Catholic) tragedy. As such, it’s an uneven but still watchable affair, even if Hitch does nothing to disguise its stage origins.

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Jupiter Ascending (2015)
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