Tomorrowland: A World Beyond (2015) (SPOILERS) Tomorrowland is a muddle (and the UK stating-the-bleeding-obvious subtitle doesn’t help matters any). The trailers, as cryptic as they were, suggested a clear, clean rush of positivity and awe at an alternate and parallel world to out own, while the makers advanced sound bites positing the question, ”Where did all our hope go?” As a starting point, this kernel holds some merit; an express contrast with the overpowering trend towards dystopian and post-apocalyptic visions. Unfortunately, Tomorrowland ’s realisation is limp and thematically confused. Brad Bird and Damon Lindelof’s “course correction” towards inspiration is confounded by the same kind of problematic thinking that troubled the final act of Joss Whedon’s Avengers: Age of Ultron . There, the express desire to counterpoint Man of Steel ’s wanton disregard for human life turned the picture into Avengers Save: People . Here, Bird and Lindelof are left flailing as soon as