The Avengers
3.17: The
White Elephant
The
temptation is to say John Lucarotti sold us one, here, so I’ll resist. A real
bore, unfortunately, with none of the nascent elements (eccentric characters,
unlikely scenarios, curious businesses) amounting to anything interesting, as
Steed and Mrs Gale investigate the disappearance of the titular pachyderm.
Most
indicatively, Steed watching a daffodil grow (he’s practicing yoga, it seems; “It’s a very good method of improving the
concentration”) is much more engaging than the plot proper, in which he once
again puts Cathy undercover (as resident zoological director) and in danger at
Noah’s Ark zoo, from which elephant Snowy has been vanished.
This leads
to one of her not-infrequent railings against the dapper gentleman spy, for
callously offering her ivory as a reward (“You’re
using my experience to cover your indolence”), yet he turns it around and leaves
her smiling (also as per usual) by tickling her self-righteousness, returning her
repaired (ivory-handled) derringer “Mrs
Gale, you forgot your little gun”.
Steed: How are
things on animal farm?
Cathy: Tense.
Godfrey
Quigley’s eccentric zoo owner Noah Marshall is only really eccentric for
smoking a pipe and having a parrot sit (that’s sit) on his shoulder. That, and his lust for Mrs Gale (“a very impressive woman”; there’s a lot
of lust for Cathy at this point in the show). She also finds someone hanging
dead (Martin Friend again) in the workplace for the second episode running,
although not in the stationery cupboard this time.
The boss
isn’t in on it on this occasion, however, since he’s having his coffee drugged,
but everyone else seems to be, in a plot that takes in the ivory trade, a
missing big game hunter (Edwin Richfield’s Professor Lawrence, in Richfield’s
third of six appearances), a gunsmiths (Bannerman & Kemp, where Steed
announces he’s after a white elephant; asked if he’s going to India or Burma
for the rare beast, he replies, “I
thought I might try the home counties”) and Jordan & Moss, a cage
builders and restraints outfitters.
Steed: In the
overseas market, you can let yourself go a bit.
Madge Jordan: Exactly.
The latter
is a case of rather restrained (ahem) kinks, as Steed receives sales talk from
enthusiastic dealer in bondage wear Rowena Gregory (Immortal Clay). Everywhere Steed goes he drops hints to those
concerned that he’s on their case, but I have no notion quite why the gunsmiths
and the shackles shop need to be a part of this, other than it makes for
less-than-persuasive quirkiness. Indeed, Steed figures out that they’re a bunch
of smugglers while balancing a wine glass on his forehead as Cathy does some
headstands.
Cathy ends
up incarcerated with a panther, but even that can’t really raise the interest
levels. None of the performers (save the aforementioned Gregory) offers much,
including Judy Parfitt (of Bullseye)
as the inside woman and Lawrence’s missus. Scott Forbes makes Conniston a
particularly unconvincing big game hunter (Forbes also delivers a fairly major
fluff in his first scene, notable even for this fluff-filled period of the
show).
Also
appearing are Toke Townley as gun polisher Joseph and Bruno Barnabe (Honey for the Prince, You’ll Catch your Death) as his boss
Fitch. The White Elephant is one of
those where unwieldy exposition (“Why did
I allow myself to get involved with you?”) is firm evidence of the absence
of a well-formulated plot.
Agree? Disagree? Mildly or vehemently? Let me know in the comments below.
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