Biffy would not squirt the squirter, Jeeves.

Jeeves and Wooster

2.3: Pearls Mean Tears

(aka The Con)

I can’t fault the competence and faithfulness with which this episode is siphoned out, but it doesn’t quite sing for me. As Bertie recounts, “Life can be delish, with a sunny disposish” and this is merely serviceable diner grub. Bertie falling for the manipulations of Soapy Sid, masquerading as a curate with his “sister” is engaging enough, and there’s good fun to be had from Aunt Agatha being hoisted by her own petard and unfairly accusing the lower orders of burglary, but the other plotline is one of the less scintillating Wodehouse inventions.

The Inimitable Jeeves (previously plundered in 1.1 and 1.3) provides the Soapy Sid plot, in which Aunt Agatha attempts to pair her nephew off (“You should be breeding children, Bertie”), to understandable disdain. Her choice of intended is Aline Hemingway (Rebecca Saire, veteran of The Quatermass Conclusion and Jonathan Strange & Mr Norrell, as well as A Bit of Fry and Laurie), the aforementioned sister of Sidney (Graham Seed). Bertie’s nonplussed, (“Look, I don’t want to go to any blasted museum!”) and is berated for his coarseness (“Kindly mind your language, Bertie!”). In contrast to the short story, this doesn’t take place in Roville, France but rather non-descript seaside town Westcombe-on-Sea (some might say it’s a shame such choices weren’t made with the series’ American adventures), but mostly it follows course.

Sid manages to snatch Agatha’s pearls, as well as swindling £100 out of Bertie, despite Jeeves’ warnings that he has been seen selling tips at the race course. Jeeves comes through, of course (“Ere, that’s illegal that is” is Aline’s response on learning Jeeves has been through her luggage to retrieve the pearls) and Agatha well and truly has to eat humble pie after bringing a maid to tears and levelling accusations against the hotel (“These aren’t the chaps are they?” asks her nephew on retrieving the valuables) in a rare occasion of Bertie being able to hold court.

So that sequence is fairly satisfying. Less so is the predicament of Bertie’s pal Biffy Biffen, a less than a bright spark and a highly forgetful one, played with soporific tendencies by Philip Shelley. Biffy has gone and got engaged to Honoria Glossop but doesn’t really know why, since he is doting after his intended, who he managed to meet on his way to New York, then lose through forgetting her surname.

There’s a not-as-good-as-it-should-have-been rerun of a dinner with Sir Roderick Glossop, in which Biffy fails to assassinate the brain specialist with a water-filled plastic flower (“Biffy would not squirt the squirter, Jeeves”). We do learn that Jeeves has a niece (revelations of his family and intimate affairs are always welcome and often surprising), who just so happens to be Mabel (Jenny Whiffen), the object of Biffy’s affections. It’s an instance of Jeeves, not being in possession of the facts, doing an associate of Bertie’s an injustice (I feel as if this has happened several times, but I can’t recall other instances offhand).

Rather than the Palace of Beauty reunion of the story (Mabel was in a tank, wearing a muff, playing Queen Elizabeth or Boadicea, “or someone of that period”), this occurs at a full-on theatre, during a performance of “Woof Woof” (the accompanying song is amusingly literal) and all ends well. I think it’s Shelley, not the poet, who brings this one down a notch. The best man and manservant exchange finds Bertie asking “Do you know what I look for in a song?” to which Jeeves replies “I have often wondered”.

Sources:

Aunt Agatha Speaks Her Mind/ Pearls Mean Tears (Chapters 3 & 4) The Inimitable Jeeves

The Rummy Affair of Old Biffy (Chapter 6) Carry On, Jeeves

Recurring characters:

Aunt Agatha (1.1, 1.2, 1.3, 2.3)

Sir Roderick Glossop (1.1, 2.3)

Lady Glossop (1.1, 2.3)

Honoria Glossop (1.1, 2.3)

Freddie (1.1, 1.3, 2.3)

“Barmy” Fotheringay-Phipps (1.1, 1,2, 1.4, 1.5, 2.1, 2.2, 2.3)

“Oofy” Prosser (1.1, 1.2, 1.4, 1.5, 2.2, 2.3)

Agree? Disagree? Mildly or vehemently? Let me know in the comments below.

Your Mickey Mouse is one big stupid dope!

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No one can be told what the Matrix is. You have to see it for yourself.

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Other monks will meet their deaths here. And they too will have blackened fingers. And blackened tongues.

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Say hello to the Scream Extractor.

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All the world will be your enemy, Prince with a Thousand Enemies.

Watership Down (1978) (SPOILERS) I only read Watership Down recently, despite having loved the film from the first, and I was immediately impressed with how faithful, albeit inevitably compacted, Martin Rosen’s adaptation is. It manages to translate the lyrical, mythic and metaphysical qualities of Richard Adams’ novel without succumbing to dumbing down or the urge to cater for a broader or younger audience. It may be true that parents are the ones who get most concerned over the more disturbing elements of the picture but, given the maturity of the content, it remains a surprise that, as with 2001: A Space Odyssey (which may on the face of it seem like an odd bedfellow), this doesn’t garner a PG certificate. As the makers noted, Watership Down is at least in part an Exodus story, but the biblical implications extend beyond Hazel merely leading his fluffle to the titular promised land. There is a prevalent spiritual dimension to this rabbit universe, one very much

Piece by piece, the camel enters the couscous.

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He tasks me. He tasks me, and I shall have him.

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In a few moments, you will have an experience that will seem completely real. It will be the result of your subconscious fears transformed into your conscious awareness.

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They say if we go with them, we'll live forever. And that's good.

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Now In Full Color, with a Happier Ending

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