Jeeves and Wooster
2.6: Jeeves the Matchmaker
(aka Wooster with a Wife)
A veritable
smorgasbord of short stories went into the season finale, and it just about
emerges as a congealed piece of work, thanks in large part to the ever-reliable
Robert Daws’ performance as the ever-enraged Tuppy Glossop. It’s more
successful and full of incident than 2.3, which also utilised stories from Carry On, Jeeves and Very Good, Jeeves, although this one has
additionally rummaged through The Inimitable
Jeeves.
Bertie Wooster: I wish
I had a daughter. I wonder what the procedure is?
Jeeves: Marriage is, I believe sir, the
preliminary step for those willing to undergo its rigours.
The episode construes
to revolve around Bertie’s blithe desire for parentage, much to Jeeves’
consternation, after realising his life is tired and empty. As such, the most
eventful passage finds him speaking at a girls’ school and incurring the disapproval
of headmistress Miss Mapleton (the distinctively featured Janet Henfrey, who
played Miss Hardaker in Doctor Who’s The Curse of Fenric a couple of years
earlier and more recently Mrs Pitt in nu-Who’s
Mummy on the Orient Express; she was
also a teacher in The Singing Detective)
at his inappropriate choice of message and anecdote.
This part of the
episode is adapted from the final story in Carry
On, Jeeves, Bertie Changes His Mind,
singular for being the only occasion where Jeeves himself narrates events, and
in a decidedly more jocular and informal manner than we’re used to (one might
almost think it was the natural Wodehouse-ian first person style…)
So, we have the desire
for Bertie to adopt a kid from that story, and the necessity of a lesson in how
inadvisable that is, but the kid herself, Clementia, Bobbie Wickham’s niece, is
lifted from another short story, as is the means of getting her back into her
school establishment, namely Jeeves and
the Kid Clementia from Very Good,
Jeeves. The stitching of the two tales is actually relatively seamless,
with Bertie becoming embroiled with the ever-dozy plod (Alex Leppard) and
Jeeves volunteering his master to give the aforementioned school talk on
account of his being “a renowned orator
on a tour of the home counties”.
Bertie Wooster: Am I
wrong in think that all little girls are hard-bitten thugs of the worst
description?
The talk, in which the
girls all make faces at a baffled Bertie when Miss Mapleton isn’t looking and
burst into uproarious laughter when he begins a tale “It seems, that there was this chorus girl…” having already
recounted how he made a lot of money betting on being able to see the time on
an obscure clock tower, is particularly amusing, even if it can’t reach the
heights of Gussie’s sozzled prize giving at the end of the previous season. If
there’s a weakness here it’s that Niamh Cusack never really makes a mark as
Bobbie Wickham (“chock full to the brim
with fizz and ginger”), at least not as much as Nina Botting in the first
season.
There isn’t much in
the way of adhesive applied to the other two subplots, in which Tuppy is wooing
his latest prize, Daisy Dalgleish (Katherine McQueen), a largish, corn-fed
girl, “typical Tuppy fodder”, aside
from Bertie and Jeeves comporting a large Irish wolf hound with them for much
of the proceedings, unable to procure the Irish water spaniel Tuppy wants to
give her. It’s a shaggy prop that leads to several amusing lines (“Do you think Patrick would be sick if we give
him some ice-cream?” asks Clementia. “Yes”
replies Bertie decisively. “Can’t you
spend an evening with an improving dog?” asks Bertie when Jeeves says it
his night off, and he wishes to read an improving book rather than dog sit).
Tuppy: Daisy was rather keen that I
help Upper Bleaching out.
Bertie Wooster: So
you’ll be playing for Hockley.
Tuppy: Very funny.
The Ordeal of Young Tuppy, also from Very
Good, Jeeves, recounts his involvement in a village rugger match, albeit
the wolfhound doesn’t make an appearance there, and the attempts to sever his
yen for Daisy come at the behest of Aunt Agatha (in the interests of Angela,
whose hat Tuppy has insulted: “All I said
was that it made her look like a raccoon peering out from underneath a
flowerpot. Which it did”). Nevertheless, the manner in which events pan out
is much the same (Tuppy’s broken leg excepted). This is a rare instance of
Tuppy, despite things turning pear-shaped, having a triumph of sorts, as he
gets into the spirit of the very violent game and actually scores (the first
time since 1883).
Jeeves: Mr Little’s tie. It has little
horseshoes on it. It is sometimes difficult to shrug these things off, sir.
Which leads to the
first two chapters of The Inimitable Jeeves
being utilised, fairly accurately but somewhat disappointingly, as there’ll be
a two-year gap before the Rosie M Banks saga begun here reaches its conclusion.
Bingo (the reliably returning Michael Siberry) has fallen for waitress Mabel
(Charlotte Avery) but needs his uncle’s blessing to propose. To which end, Jeeves
suggests he read him Rosie M Banks novels, which “make light, attractive reading” (Only a Factory Girl was voted one of the 100 best Random House novels
by Wodehouse fan wags until the compilers got wise). En route, Bingo persuades
Bertie to pose as the author (“I said
Rosie M Banks was your pen name”) and is required to speculate on the
number of words on a page over dinner. Lord Bittlesham’s (Geoffrey Toone) heart
melts at Bingo’s readings and he proposes to his cook, class divide be damned.
The most shocking
reveal of this story is what a sly dog Jeeves is, as he’s been conducting an
affair with Lord Bittlesham’s cook, whom he is quite happy to sever ties with
in favour of the very waitress Bingo had his eye on. One might suggest he’s not
only devious but a little underhand, since he moves straight in on the girl.
Of course, Bertie ends
up unencumbered, except for “another
small whisky and soda”. Season Two might be the most satisfying season of
the series overall. At any rate, the next suffers from spending half its time
“in New York”, complete with broad versions of accents and limited sets (the
elevator one gets a frequent outing). Jeeves
and Wooster is on firmer ground when it gets back to home shores.
Sources:
Bertie Changes His
Mind (Carry On, Jeeves Chapter 10)
Jeeves and the Kid
Clementia (Very Good, Jeeves, Chapter
7)
The Ordeal of Young
Tuppy (Very Good, Jeeves, Chapter 11)
Jeeves Exerts the Old
Cerebellum (The Inimitable Jeeves,
Chapter 1)
No Wedding Bells for
Bingo (The Inimitable Jeeves, Chapter
2)
Returning characters:
Tuppy Glossop (1.1, 1.2, 1.4, 1.5, 2.6)
Bingo Little (1.1, 1.3, 2.6)
Bobbie Wickham (1.2,
2.6)
Lord Bittlesham (2.6)
Agree? Disagree? Mildly or vehemently? Let me know in the comments below.
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