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Showing posts from August, 2018

My cigars. He’s been smoking my cigars… And he’s… Bitten the end off. Bitten!

The Avengers 5.16: Who's Who??? As much as the series would fall back on remakes of earlier episodes when the producers were in a tight squeeze and pushing deadlines, necessity could also be the mother of invention. While  The Prisoner  made the worst possible fumble of the old body-swap scenario with  Do Not Forsake Me Oh My Darling ,  Who's Who??? , borne from the twin challenges of Patrick Macnee and Diana Rigg wanting time off (her departure from the series was announced during filming) is largely a success.

Our very strength incites challenge. Challenge incites conflict. And conflict... breeds catastrophe.

The MCU Ranked Worst to Best

It's the end of the world here, so nobody stays for long.

The Avengers 5.15: The Joker It seems this remake of  Don’t Look Behind You , the second redo of the season following  The Correct Way to Kill  reduxed as  The Charmers , is generally highly regarded in relation to its Cathy Gale era original. I have to admit, I can't really see it, and coming after last season's also-leading-Avenger-lady-trapped-in-an-isolated-house near-remake ( The House That Jack Built ), it comes across a bit like flogging a dead horse. What  The Joker  has in spades is production value, cleverly directed by sure-hand Sidney Havers and draped with a level of plushness the Cathy Gale era couldn’t muster. It isn't enough, though.

Now then, you show nanny where you keep those pretty little missiles.

The Avengers 5.14: Something Nasty in the Nursery Once Upon a Time , the penultimate episode of  The Prisoner , sprang to mind more than once while rewatching  Something Nasty in the Nursery , with its regressed adults and distorted guitar twangs announcing the sinister. It's very nearly a great episode, the only thing letting it down being the lack of any rug pull or shift in perspective beyond the initial setup.

In my day, those even endeavouring to fly were accused of witchery.

Warlock (1989) (SPOILERS) Hero REG?  Scottish  hero REG? This could only have happened before anyone knew any better. As Richard E Grant himself commented of a role Sean Connery allegedly turned down (" Can you do a SKUTTISH accent for us? "), " How could they have cast a skinny Englishman to play this macho warlock-hunter? " And yet, that incongruity entirely works in  Warlock 's favour, singling it out from the crowd as the kind of deliciously-offbeat straight-to-video fare (all but) you could only have encountered during that decade.

That living fossil ate my best friend!

The Meg (2018) (SPOILERS) There’s a good chance that, unless you go in armed with ludicrously high expectations for the degree to which it's going to take the piss out of its premise, you'll have a good time with  The Meg . This is unabashedly B-moviemaking, and if a finger of fault can be pointed, it's that director Jon Turteltaub, besides being a strictly functional filmmaker, does nothing to give it any personality beyond employing the services of the Stath. Obviously, though, the mere presence of the gravelly-larynxed one goes a long way to plugging the holes in any leaky vessel.

Never mind. You may be losing a carriage, but he’ll be gaining a bomb.

The Avengers 5.13: A Funny Thing Happened on the Way to the Station Continuing a strong mid-season run, Brian Clemens rejigs one of the dissenting (and departing) Roger Marshall's scripts (hence "Brian Sheriff") and follows in the steps of the previous season's  The Girl from Auntie  by adding a topical-twist title ( A Funny Thing Happened on the Way to the Forum  came out a year earlier). If this is one of those stories where you know from the first who's doing what to whom, the actual mechanism for the doing is a strong and engaging one, and it's pepped considerably by a supporting cast including one John Laurie (2.11:  Death of a Great Dane , 3.2:  Brief for Murder ).

You just threw a donut in the hot zone!

Den of Thieves (2018) (SPOILERS) I'd heard this was a shameless  Heat  rip-off, and the presence of Gerard Butler seemed to confirm it would be passable-at-best B-heist hokum, so maybe it was just middling expectations, even having heard how enthused certain pockets of the Internet were, but  Den of Thieves  is a surprisingly very satisfying entry in the genre. I can't even fault it for attempting to Keyser Soze the whole shebang at the last moment – add a head in a box and you have three 1995 classics in one movie – even if that particular conceit doesn’t quite come together.

The Black Panther is not someone to mess with.

Gringo (2018) (SPOILERS)  Gringo 's problems stem from it trying too hard to be the kind of movie its makers have seen done better. It's doing its best to give off a studiously crazy/ frenetic tone, something accentuated by Christophe Beck's self-consciously quirky score. Throwing David Oyelowo's straight-edged pharmaceutical rep into the path of Mexican cartels and hitmen, Nash Edgerton's second feature is "one of those", the latest in a seemingly unremitting stream of low-budget hit-and-miss crime affairs, peppy enough to attract a supporting cast working for scale, but lacking the personality to stick in the mind for very long.

The simple fact is, your killer is in your midst. Your killer is one of you.

The Avengers 5.12: The Superlative Seven I’ve always rather liked this one, basic as it is in premise. If the title consciously evokes  The Magnificent Seven , to flippant effect, the content is Agatha Christie's  And Then There Were None , but played out with titans of their respective crafts – including John Steed, naturally – encountering diminishing returns. It also boasts a cast of soon-to-be-famous types (Charlotte Rampling, Brian Blessed, Donald Sutherland), and the return of one John Hollis (2.16:  Warlock , 4.7:  The Cybernauts ). Kanwitch ROCKS!

It’s an enema of sunshine.

Roman J. Israel, Esq. (2017) (SPOILERS) The main takeaway from  Roman J. Israel Esq.  is that every Dan Gilroy movie can't be a  Nightcrawler . That jet-black satire was a hit both with critics and (in a small but distinguished way) audiences, nabbing Gilroy an Oscar nomination for Best Original Screenplay into the bargain. Sony doubtless gave him carte blanche as a result, on the basis that if material as unlikely as that did well, what did they know? The result is almost perversely uncommercial, an awkward movie that marches in dislocated beat with its awkward protagonist, staunchly refusing to chart the expected, stirring course of the "underdog hero" legal thriller and leading to a dénouement that hardly feels justified by its diffident content.

Who are you and why do you know so much about car washes?

Ant-Man and the Wasp (2018) (SPOILERS) The belated arrival of the  Ant-Man  sequel on UK shores may have been legitimately down to World Cup programming, but it nevertheless adds to the sense that this is the inessential little sibling of the MCU, not really expected to challenge the grosses of a  Doctor Strange , let alone the gargantuan takes of its two predecessors this year.  Empire  magazine ran with this diminution, expressing disappointment that it was " comparatively minor and light-hitting " and " lacks the scale and ambition of recent Marvel entries ". Far from deficits, for my money these should be regard as accolades bestowed upon  Ant-Man and the Wasp ; it understands exactly the zone its operating in, yielding greater dividends than the three most recent prior Marvel entries the review cites in its efforts at point scoring. 

Gloat all you like, but just remember, I’m the star of this picture.

The Avengers 5.11: Epic Epic  has something of a Marmite reputation, and even as someone who rather likes it, I can quite see its flaws. A budget-conscious Brian Clemens was inspired to utilise readily-available Elstree sets, props and costumes, the results both pushing the show’s ever burgeoning self-reflexive agenda and providing a much more effective (and amusing) " Avengers  girl ensnared by villains attempting to do for her" plot than  The House That Jack Built ,  Don't Look Behind You  and the subsequent  The Joker . Where it falters is in being little more than a succession of skits and outfit changes for Peter Wyngarde. While that's very  nearly  enough, it needs that something extra to reach true greatness. Or epic-ness.

You use a scalpel. I prefer a hammer.

Mission: Impossible - Fallout (2018) (SPOILERS) The latest instalment of the impossibly consistent in quality  Mission: Impossible  franchise has been hailed as the best yet, and with but a single dud among the sextet that’s a considerable accolade. I’m not sure it's entirely deserved – there’s a particular repeated thematic blunder designed to add some weight in a "hero's validation" sense that not only falls flat, but also actively detracts from the whole – but as a piece of action filmmaking, returning director Christopher McQuarrie has done it again.  Mission: Impossible – Fallout  is an incredible accomplishment, the best of its ilk this side of  Mad Max: Fury Road .