Skip to main content

The Avengers

Season One


1. Hot Snow
6. Girl on the Trapeze
15. The Frighteners
20. Tunnel of Fear

Season Two


1. Mission to Montreal
2. Dead on Course
3. The Sell-Out
4. Death Dispatch
5. Propellant 23
6. Mr. Teddy Bear
7. The Decapod
8. Bullseye
9. The Removal Men
10. The Mauritius Penny
11. Death of a Great Dane
12. Death on the Rocks
13. Traitor in Zebra
14. The Big Thinker
15. Intercrime
16. Warlock
17. Immortal Clay
18. Box of Tricks
19. The Golden Eggs
20. School for Traitors
21. White Dwarf
22. Man in the Mirror
23. Conspiracy of Silence
24. A Chorus of Frogs
25. Six Hands Across a Table
26. Killer Whale

Season Three


1. Concerto

2. Brief for Murder
3. The Nutshell
4. The Golden Fleece
5. Death a La Carte
6. Man with Two Shadows
7. Don't Look Behind You
8. The Grandeur That Was Rome
9. The Undertakers
10. Death of a Batman
11. Build a Better Mousetrap
12. November Five
13. Second Sight
14. The Secrets Broker
15. The Gilded Cage
16. Medicine Men
17. White Elephant
18. Dressed to Kill
19. The Wringer
20. The Little Wonders
21. Mandrake
22. Trojan Horse
23. The Outside-In Man
24. The Charmers
25. Esprit de Corps
26. Lobster Quadrille

Season Three Ranked

Season Four


1. The Town of No Return

2. The Murder Market
3. The Master Minds
4. Dial a Deadly Number
5. Death at Bargain Prices
6. Too Many Christmas Trees
7. The Cybernauts
8. The Gravediggers
9. Room Without a View
10. A Surfeit of H2O
11. Two's a Crowd
12. Man-Eater of Surrey Green
13. Silent Dust
14. The Hour That Never Was
15. Castle De'ath
16. The Thirteenth Hole
17. Small Game for Big Hunters
18. The Girl From Auntie
19. Quick-Quick Slow Death
20. The Danger Makers
21. A Touch of Brimstone
22. What the Butler Saw
23. The House That Jack Built
24. A Sense of History
25. How to Succeed... At Murder
26. Honey for the Prince

Season Four Ranked

Season Five

1. The Fear Merchants
2. Escape in Time
3. The Bird Who Knew Too Much
4. From Venus With Love
5. The See-Through Man
6. The Winged Avenger
7. The Living Dead
8. The Hidden Tiger
9. The Correct Way to Kill
10. Never, Never Say Die
11. Epic
12. The Superlative Seven
13. A Funny Thing Happened on the Way to the Station
14. Something Nasty in the Nursery
15. The Joker
16. Who's Who???
17. Death's Door
18. Return of the Cybernauts
19. Dead Man's Treasure
20. The £50,000 Breakfast
21. You Have Just Been Murdered
22. Murdersville
23. The Positive-Negative Man
24. Mission... Highly Improbable

Season Five Ranked

Comments

Popular posts from this blog

Why would I turn into a filing cabinet?

Captain Marvel (2019)
(SPOILERS) All superhero movies are formulaic to a greater or lesser degree. Mostly greater. The key to an actually great one – or just a pretty good one – is making that a virtue, rather than something you’re conscious of limiting the whole exercise. The irony of the last two stand-alone MCU pictures is that, while attempting to bring somewhat down-the-line progressive cachet to the series, they’ve delivered rather pedestrian results. Of course, that didn’t dim Black Panther’s cultural cachet (and what do I know, swathes of people also profess to loving it), and Captain Marvel has hit half a billion in its first few days – it seems that, unless you’re poor unloved Ant-Man, an easy $1bn is the new $700m for the MCU – but neither’s protagonist really made that all-important iconic impact.

She writes Twilight fan fiction.

Vampire Academy (2014)
My willingness to give writer Daniel Waters some slack on the grounds of early glories sometimes pays off (Sex and Death 101) and sometimes, as with this messy and indistinct Young Adult adaptation, it doesn’t. If Vampire Academy plods along as a less than innovative smart-mouthed Buffy rip-off that might be because, if you added vampires to Heathers, you would probably get something not so far from the world of Joss Whedon. Unfortunately inspiration is a low ebb throughout, not helped any by tepid direction from Daniel’s sometimes-reliable brother Mark and a couple of hopelessly plankish leads who do their best to dampen down any wit that occasionally attempts to surface.

I can only presume there’s a never-ending pile of Young Adult fiction poised for big screen failure, all of it comprising multi-novel storylines just begging for a moment in the Sun. Every time an adaptation crashes and burns (and the odds are that they will) another one rises, hydra-like, hoping…

Can you float through the air when you smell a delicious pie?

Spider-Man: Into the Spider-Verse (2018)
(SPOILERS) Ironically, given the source material, think I probably fell into the category of many who weren't overly disposed to give this big screen Spider-Man a go on the grounds that it was an animation. After all, if it wasn’t "good enough" for live-action, why should I give it my time? Not even Phil Lord and Christopher Miller's pedigree wholly persuaded me; they'd had their stumble of late, although admittedly in that live-action arena. As such, it was only the near-unanimous critics' approval that swayed me, suggesting I'd have been missing out. They – not always the most reliable arbiters of such populist fare, which made the vote of confidence all the more notable – were right. Spider-Man: Into the Spider-Verse is not only a first-rate Spider-Man movie, it's a fresh, playful and (perhaps) surprisingly heartfelt origins story.

Sorry I’m late. I was taking a crap.

The Sting (1973)
(SPOILERS) In any given list of the best things – not just movies – ever, Mark Kermode would include The Exorcist, so it wasn’t a surprise when William Friedkin’s film made an appearance in his Nine films that should have won Best Picture at the Oscars list last month. Of the nominees that year, I suspect he’s correct in his assessment (I don’t think I’ve seen A Touch of Class, so it would be unfair of me to dismiss it outright; if we’re simply talking best film of that year, though, The Exorcist isn’t even 1973’s best horror, that would be Don’t Look Now). He’s certainly not wrong that The Exorcistremains a superior work” to The Sting; the latter’s one of those films, like The Return of the King and The Departed, where the Academy rewarded the cast and crew too late. Butch Cassidy and the Sundance Kid is the masterpiece from George Roy Hill, Paul Newman and Robert Redford, not this flaccid trifle.

I don’t think you will see President Pierce again.

The Ballad of Buster Scruggs (2018)
(SPOILERS) The Ballad of Buster Scruggs and other tall tales of the American frontier is the title of "the book" from which the Coen brothers' latest derives, and so announces itself as fiction up front as heavily as Fargo purported to be based on a true story. In the world of the portmanteau western – has there even been one before? – theme and content aren't really all that distinct from the more familiar horror collection, and as such, these six tales rely on sudden twists or reveals, most of them revolving around death. And inevitably with the anthology, some tall tales are stronger than other tall tales, the former dutifully taking up the slack.

You had to grab every single dollar you could get your hands on, didn't you?

Triple Frontier (2019)
(SPOILERS) Triple Frontier must have seemed like a no-brainer for Netflix, even by their standards of indiscriminately greenlighting projects whenever anyone who can’t get a job at a proper studio asks. It had, after all, been a hot property – nearly a decade ago now – with Kathryn Bigelow attached as director (she retains a producing credit) and subsequently JC Chandor, who has seen it through to completion. Netflix may not have attracted quite the same level of prospective stars – Johnny Depp, Tom Hanks, Will Smith, Tom Hardy and Channing Tatum were all involved at various points – but as ever, they haven’t stinted on the production. To what end, though? Well, Bigelow’s involvement is a reliable indicator; this is a movie about very male men doing very masculine things and suffering stoically for it.

Our "Bullshit!" team has unearthed spectacular new evidence, which suggests, that Jack the Ripper was, in fact, the Loch Ness Monster.

Amazon Women on the Moon (1987)
Cheeseburger Film Sandwich. Apparently, that’s what the French call Amazon Women on the Moon. Except that it probably sounds a little more elegant, since they’d be saying it in French (I hope so, anyway). Given the title, it should be no surprise that it is regarded as a sequel to Kentucky Fried Movie. Which, in some respects, it is. John Landis originally planned to direct the whole of Amazon Women himself, but brought in other directors due to scheduling issues. The finished film is as much of a mess as Kentucky Fried Movie, arrayed with more miss sketches than hit ones, although it’s decidedly less crude and haphazard than the earlier picture. Some have attempted to reclaim Amazon Women as a dazzling satire on TV’s takeover of our lives, but that’s stretching it. There is a fair bit of satire in there, but the filmmakers were just trying to be funny; there’s no polemic or express commentary. But even on such moderate terms, it only sporadically fulfils…

Everything has its price, Avon.

Blake's 7 4.1: Rescue

Season Four, the season they didn’t expect to make. Which means there’s a certain amount of getting up to speed required in order for “status quo” stories to be told. If they choose to go that route. There’s no Liberator anymore as a starting point for stories; a situation the show hasn’t found itself in since Space Fall. So where do they go from here? Behind the scenes there’s no David Maloney either. Nor Terry Nation (I’d say that by this point that’s slightly less of an issue, but his three scripts for Season Three were among his best).

What lit the fire that set off our Mr Reaper?

Death Wish (2018)
(SPOILERS) I haven’t seen the original Death Wish, the odd clip aside, and I don’t especially plan to remedy that, owing to an aversion to Charles Bronson when he isn’t in Once Upon a Time in the West and an aversion to Michael Winner when he wasn’t making ‘60s comedies or Peter Ustinov Hercule Poirots. I also have an aversion to Eli Roth, though (this is the first of his oeuvre I’ve seen, again the odd clip aside, as I have a general distaste for his oeuvre), and mildly to Bruce when he’s on autopilot (most of the last twenty years), so really, I probably shouldn’t have checked this one out. It was duly slated as a fascistic, right-wing rallying cry, even though the same slaters consider such behaviour mostly okay if the protagonist is super-powered and wearing a mask when taking justice into his (or her) own hands, but the truth is this remake is a quite serviceable, occasionally amusing little revenger, one that even has sufficient courage in its skewed convictions …

Do you read Sutter Cane?

In the Mouth of Madness (1994)
(SPOILERS) The concluding chapter of John Carpenter’s unofficial Apocalypse Trilogy (preceded by The Thing and Prince of Darkness) is also, sadly, his last great movie. Indeed, it stands apart in the qualitative wilderness that beset him during the ‘90s (not for want of output). Michael De Luca’s screenplay had been doing the rounds since the ‘80s, even turned down by Carpenter at one point, and it proves ideal fodder for the director, bringing out the best in him. Even cinematographer Gary K Kibbe seems inspired enough to rise to the occasion. It could do without the chugging rawk soundtrack, perhaps, but then, that was increasingly where Carpenter’s interests resided (as opposed to making decent movies).